LIVING LIGHT FRANKFURT

LIVING LIGHT FRANKFURT

LIVING LIGHT FRANKFURT

Frankfurt, Germany
Artificial Lighting

Client: Messe Frankfurt
Completion year: 2026
Images: Trilux / Meinschäfer

The Living Light was an immersive and interactive installation in collaboration with Light + Building 2026 that explored light’s role as a living design factor.

The four rooms of the exhibition were built upon the foundational idea that light is material, emotion, and technology. Connecting the four rooms, the Spine, a central corridor, represents the quiet continuity of nature, a refuge to return to in all stages of life. In Home, visitors were brought back to their earliest memories. Through layers of warm light and circadian transitions, this space called upon us to rest, retreat, and reconnect with ourselves. This room asked what it means to design for a fulfilling life within our own four walls. Education showed us how light can become a key element in motivation, health, and engagement in schools and other educational environments, with multiple methods being showcased. In Work, a silent negotiation took place between human emotion and the systems in which we live. At first glance an ordinary office room, light mirrored back emotions and transformed the space to bring visitors along on the daily rollercoaster ride that often occurs in the office. Communication showcased light as a form of communication beyond language. In this room, sensors created a dialogue between occupant and environment, allowing us to ponder how we communicate in the wider world.

The Living Light was an immersive and interactive installation in collaboration with Light + Building 2026 that explored light’s role as a living design factor.

The four rooms of the exhibition were built upon the foundational idea that light is material, emotion, and technology. Connecting the four rooms, the Spine, a central corridor, represents the quiet continuity of nature, a refuge to return to in all stages of life. In Home, visitors were brought back to their earliest memories. Through layers of warm light and circadian transitions, this space called upon us to rest, retreat, and reconnect with ourselves. This room asked what it means to design for a fulfilling life within our own four walls. Education showed us how light can become a key element in motivation, health, and engagement in schools and other educational environments, with multiple methods being showcased. In Work, a silent negotiation took place between human emotion and the systems in which we live. At first glance an ordinary office room, light mirrored back emotions and transformed the space to bring visitors along on the daily rollercoaster ride that often occurs in the office. Communication showcased light as a form of communication beyond language. In this room, sensors created a dialogue between occupant and environment, allowing us to ponder how we communicate in the wider world.

HYPARSCHALE MAGDEBURG

HYPARSCHALE MAGDEBURG

HYPARSCHALE MAGDEBURG

Magdeburg, Germany
Artificial Lighting

Client: City of Magdeburg
Architect: gmp
Completion year: 2024
Images: Ulrich Schwarz

The Hyparschale in Magdeburg, designed by Ulrich Müther and opened in 1969, was comprehensively renovated and restored between 2019 and 2024 on behalf of the City of Magdeburg, following plans by gmp. Its use as a multifunctional venue for events and exhibitions was retained.

The interior was completely restructured. Cubes with gallery levels were inserted and connected by walkable bridges. This gallery level allows the open space with its curved roof to be fully experienced. The lighting was specified to ensure excellent glare control for the wide range of usage scenarios. The large pendant luminaires are derived from the original ceiling design. The goal was to minimize the number of suspension points, use a regular positioning grid, and at the same time meet visual comfort and lighting requirements. For this reason, the entire emergency lighting system is integrated into the general lighting.

The Hyparschale in Magdeburg, designed by Ulrich Müther and opened in 1969, was comprehensively renovated and restored between 2019 and 2024 on behalf of the City of Magdeburg, following plans by gmp. Its use as a multifunctional venue for events and exhibitions was retained.

The interior was completely restructured. Cubes with gallery levels were inserted and connected by walkable bridges. This gallery level allows the open space with its curved roof to be fully experienced. The lighting was specified to ensure excellent glare control for the wide range of usage scenarios. The large pendant luminaires are derived from the original ceiling design. The goal was to minimize the number of suspension points, use a regular positioning grid, and at the same time meet visual comfort and lighting requirements. For this reason, the entire emergency lighting system is integrated into the general lighting.

CHRISTIE´S ASIA PACIFIC HEADQUARTERS

CHRISTIE´S ASIA PACIFIC HEADQUARTERS

CHRISTIE´S ASIA HEADQUARTERS

The Henderson, Hong Kong
Artificial Lighting & Sustainability

Client: Christie´s
Architect: Collective
Completion year: 2024
Images: 1km Studio & Christie´s

The Henderson, a striking new urban landmark designed by world-renowned architecture firm Zaha Hadid Architects, is the new home of Christie‘s Asia Pacific headquarters in Hong Kong. Spanning the 6th, 7th, 8th and 9th floors, clients and future visitors can expect a world-class gallery and saleroom, as well as a creatively designed office space and a client hub.
The new transformable gallery space will be state-of-the-art, with high ceilings, a pillarless floorplan and the flexibility to display a diversity of art and objects, including large-scale pieces. The gallery is innovatively designed for an array of programmes including museum-quality exhibitions, exclusive client and media engagement events, and educational activities. This is a 50,000 square feet one-stop hub where art and luxury enthusiasts from around the world will experience an unprecedented collecting journey.

The Henderson, a striking new urban landmark designed by world-renowned architecture firm Zaha Hadid Architects, is the new home of Christie‘s Asia Pacific headquarters in Hong Kong. Spanning the 6th, 7th, 8th and 9th floors, clients and future visitors can expect a world-class gallery and saleroom, as well as a creatively designed office space and a client hub.
The new transformable gallery space will be state-of-the-art, with high ceilings, a pillarless floorplan and the flexibility to display a diversity of art and objects, including large-scale pieces. The gallery is innovatively designed for an array of programmes including museum-quality exhibitions, exclusive client and media engagement events, and educational activities. This is a 50,000 square feet one-stop hub where art and luxury enthusiasts from around the world will experience an unprecedented collecting journey.

BLUE CINEMA CHUR

BLUE CINEMA CHUR

BLUE CINEMA CHUR

Chur, Switzerland
Artificial Lighting

Client: Blue Entertainment AG
Architect: meierpartner architekten
Completion year: 2023
Images: Ingo Rasp, Livio Federspiel
The blue Cinema in Chur is a 12,000 m² multitainment venue where lightlines define the cinema lighting design: a continuous linear element at the entrance and dynamic, staggered lines inside create an inviting atmosphere. This theme extends throughout the multiplex with track lighting, linear insets, and spotlights. In the entrance corridors and cinema halls, integrated lightlines create a starship-like ambiance. Lighting colors blue and gold create striking contrasts.
The concept also considers screens as additional light sources, managing reflections and ensuring pendant lights do not obstruct views. On the rooftop terrace, atmospheric lighting in steps and platforms provides orientation and coziness without interfering with projections.
The blue Cinema in Chur is a 12,000 m² multitainment venue where lightlines define the cinema lighting design: a continuous linear element at the entrance and dynamic, staggered lines inside create an inviting atmosphere. This theme extends throughout the multiplex with track lighting, linear insets, and spotlights. In the entrance corridors and cinema halls, integrated lightlines create a starship-like ambiance. Lighting colors blue and gold create striking contrasts.
The concept also considers screens as additional light sources, managing reflections and ensuring pendant lights do not obstruct views. On the rooftop terrace, atmospheric lighting in steps and platforms provides orientation and coziness without interfering with projections.

HUMBOLDT FORUM

HUMBOLDT FORUM

HUMBOLDT FORUM

Berlin, Germany
Daylight & Artificial Lighting

Architect: Franco Stella Projektgemeinschaft
Completion year: 2021
Images: Florian Selig

The Humboldt Forum in Berlin is regarded as Germany’s most significant cultural construction project in the coming decades. With the collection of the “Staatliche Museen zu Berlin” (SMB) moving from Berlin-Dahlem, the building’s main part will function as a museum. The lighting design for museums, particularly the daylight illumination in this historical context, has been adapted to meet today’s strict conservation requirements and structural demands. This involved extensive studies on glazing, solar arrangements, and glare protection systems. The art is primarily staged through lighting emitters that ensure minimal energy entry, aligning with modern conservation standards.

The Humboldt Forum in Berlin is regarded as Germany’s most significant cultural construction project in the coming decades. With the collection of the “Staatliche Museen zu Berlin” (SMB) moving from Berlin-Dahlem, the building’s main part will function as a museum. The lighting design for museums, particularly the daylight illumination in this historical context, has been adapted to meet today’s strict conservation requirements and structural demands. This involved extensive studies on glazing, solar arrangements, and glare protection systems. The art is primarily staged through lighting emitters that ensure minimal energy entry, aligning with modern conservation standards.