GERMANISCHES NATIONALMUSEUM

GERMANISCHES NATIONALMUSEUM

GERMANISCHES NATIONALMUSEUM

Nuremberg, Germany
Artificial Lighting, Daylight & Lighting Control

Architect: Staatliches Bauamt Erlangen-Nürnberg
Completion year: 2010
Images: Lichtvision, Lothar Reichel Revo Studio

The gallery building of the Germanisches Nationalmuseum, dating from the 1920s, has been extensively renovated according to the plans of the State Building Authority. The renovation included a comprehensive refurbishment of the roof and the glazing of the ceiling skylights above the first floor, allowing the halls of the gallery building to be illuminated primarily by natural daylight again. The upper light halls now house a diverse collection of paintings, sculptures, and art objects, presented in a continuous sequence of rooms. This renovation carefully considered both conservation and perceptual physiological aspects to enhance the visitor experience.

The gallery building of the Germanisches Nationalmuseum, dating from the 1920s, has been extensively renovated according to the plans of the State Building Authority. The renovation included a comprehensive refurbishment of the roof and the glazing of the ceiling skylights above the first floor, allowing the halls of the gallery building to be illuminated primarily by natural daylight again. The upper light halls now house a diverse collection of paintings, sculptures, and art objects, presented in a continuous sequence of rooms. This renovation carefully considered both conservation and perceptual physiological aspects to enhance the visitor experience.

ALBERTINUM

ALBERTINUM

ALBERTINUM

Dresden, Germany
Artificial Lighting and Consulting Daylight

Architect: Staab Architekten
Completion year: 2010
Images: David Brandt

The new Albertinum includes a redesign of the existing building structure and a re-organisation by adding the necessary art depots not inside the inner courtyard, but above. A generous space was created that is now used as a foyer and event space while providing a connecting link for the diverse exhibitions. The exhibition areas display both classic and modern sculptures as well as paintings. The atmosphere ranges from mainly daylit spaces through classic galleries to almost dark depots. Lighting supports these atmospheres and exhibition requirements, paying attention to integrate into the design without standing out on its own.
The new Albertinum includes a redesign of the existing building structure and a re-organisation by adding the necessary art depots not inside the inner courtyard, but above. A generous space was created that is now used as a foyer and event space while providing a connecting link for the diverse exhibitions. The exhibition areas display both classic and modern sculptures as well as paintings. The atmosphere ranges from mainly daylit spaces through classic galleries to almost dark depots. Lighting supports these atmospheres and exhibition requirements, paying attention to integrate into the design without standing out on its own.

OPERNTURM FRANKFURT

OPERNTURM FRANKFURT

OPERNTURM FRANKFURT

Frankfurt/Main, Germany
Artificial Lighting and Consulting Daylight

Architect: Prof. Christoph Mäckler
Completion year: 2010
Images:
Eicken und Mack

The Opernturm in Frankfurt am Main stands at approximately 170 meters and is a key feature of the city’s skyline. The building is divided into four slender towers by vertical notches, connected by a bridge at the top. A lower perimeter block anchors the complex, with distinct entrances enhancing its urban presence.

The prestigious main entrance features a reception hall with a large illuminated ceiling, perfect for displaying art objects. The open plaza at the core of the complex harmonizes art and daylight. Illuminating the ensemble in the Frankfurt skyline at night was a challenge, but the block facing Opernplatz respects the historical context while creating a striking distant view.

The Opernturm in Frankfurt am Main stands at approximately 170 meters and is a key feature of the city’s skyline. The building is divided into four slender towers by vertical notches, connected by a bridge at the top. A lower perimeter block anchors the complex, with distinct entrances enhancing its urban presence.

The prestigious main entrance features a reception hall with a large illuminated ceiling, perfect for displaying art objects. The open plaza at the core of the complex harmonizes art and daylight. Illuminating the ensemble in the Frankfurt skyline at night was a challenge, but the block facing Opernplatz respects the historical context while creating a striking distant view.

GUANGZHOU INTERNATIONAL FINANCE CENTER

GUANGZHOU INTERNATIONAL FINANCE CENTER

GUANGZHOU INTERNATIONAL FINANCE CENTER

Guangzhou, China

Artificial Lighting

Architect: Wilkinson Eyre Architects
Completion year: 2010
Images: Jonathan Leijonhufvud

The IFC Guangzhou with a height of 487 m ranks amongst the highest buildings on earth. A solution for the presentation of the façade was developed with which you can see the characteristic, diagonal structure of the framework behind the glass façade even at night. Because the tower is mainly used for office and hospitality, the lighting needed to be easy to maintain from the outside and must not shine into the interior. The solution are integrated façade elements with LED that can illuminate the building dynamically and colourful. The standard setting though is monochrome and static light scenes to underline the architecture of the building.
The IFC Guangzhou with a height of 487 m ranks amongst the highest buildings on earth. A solution for the presentation of the façade was developed with which you can see the characteristic, diagonal structure of the framework behind the glass façade even at night. Because the tower is mainly used for office and hospitality, the lighting needed to be easy to maintain from the outside and must not shine into the interior. The solution are integrated façade elements with LED that can illuminate the building dynamically and colourful. The standard setting though is monochrome and static light scenes to underline the architecture of the building.

BERTHOLD FURTMEYR EXHIBITION

BERTHOLD FURTMEYR EXHIBITION

BERTHOLD FURTMEYR EXHIBITION

Regensburg, Germany

Artificial Lighting & Lighting Controls

Architect: Tillmann Wagner Architekten
Completion year: 2010
Images: Tillmann Wagner Architekten

Miniaturist Berthold Furtmeyr’s main work in the context of book illustration was presented for the first time from November 2010 to February 2011 at the “Historisches Nationalmuseum” in Regensburg, Germany. The main concept of the exhibition design was to integrate the complementary nature of image and text in book painting within the exhibition space. Accentuation of the pieces of art while supporting the architectural design in an unobtrusive way has been a particular challenge in this low budget project.

Heinze Architekten Award 2012

Miniaturist Berthold Furtmeyr’s main work in the context of book illustration was presented for the first time from November 2010 to February 2011 at the “Historisches Nationalmuseum” in Regensburg, Germany. The main concept of the exhibition design was to integrate the complementary nature of image and text in book painting within the exhibition space. Accentuation of the pieces of art while supporting the architectural design in an unobtrusive way has been a particular challenge in this low budget project.

Heinze Architekten Award 2012