GARDEN CONSERVATORY
GARDEN CONSERVATORY
Seoul, South Korea
Artificial Lighting
Client: Hyundai Department Store
Architect: Casper Mueller Kneer
Completion year: 2021
Images: Roh Space
Seoul, South Korea
Artificial Lighting
Client: Hyundai Department Store
Architect: Casper Mueller Kneer
Completion year: 2021
Images: Roh Space
Changzhou, China
Exterior & Landscape Lighting
Client: Changzhou Jinling Investment and
Construction Co., Ltd.
Architect: gmp International
Landscape architect: WES
Completion year: 2020
Images: Schran images
The Changzhou Culture Plaza comprises various museums, a library and service facilities. In addition, numerous shops and restaurants in the on the lower level are directly connected to the cultural spaces above. The six pavilions cantilever in large arcs and open upon covered public space on the ground floor. A water course running diagonally through the site links all the modules and acts as a source of natural lighting for the basement facilities.
The pavilions’ functions vary significantly but they form a visual whole from the outside. This is underlined by the façade lighting realized from high poles surrounding the complex. Along the riverside promenade the lighting of the water features as well as of trees, sculptures, benches and handrails aims for a high-level integration. General lighting of streets and pedestrian areas is implemented with poles again, emphasizing spatial axes with higher poles and entrance areas with lower ones.
The Changzhou Culture Plaza comprises various museums, a library and service facilities. In addition, numerous shops and restaurants in the on the lower level are directly connected to the cultural spaces above. The six pavilions cantilever in large arcs and open upon covered public space on the ground floor. A water course running diagonally through the site links all the modules and acts as a source of natural lighting for the basement facilities.
The pavilions’ functions vary significantly but they form a visual whole from the outside. This is underlined by the façade lighting realized from high poles surrounding the complex. Along the riverside promenade the lighting of the water features as well as of trees, sculptures, benches and handrails aims for a high-level integration. General lighting of streets and pedestrian areas is implemented with poles again, emphasizing spatial axes with higher poles and entrance areas with lower ones.
Dessau, Germany
Artificial Lighting
Client: Stiftung Bauhaus Dessau
Architect: addenda architects
Completion year: 2019
Images: Zumtobel, Faruk Pinjo
The lighting design creates a serial, industrial, flexible linear basic structure in the area of the ceiling with a classic lighting strip system, which allows for intake of a wide variety of lighting components as well as electrical components. The minimization of the stylistic devices of lighting technology puts emphasis on the space and forms the stage for the manifold use of the newly created Bauhaus space. The general light works with the democratic-diffused light. The exhibition design in the collection area works in the staged light-directed light.
The ground floor with the temporary exhibition aims at opening up technically and spatially. The staging of art gives the viewer space to classify the object in a local context. The visual relationship with the city and the park is integrated into the presentation. The Bauhaus is not just building and art history but is calibrated in the now.
The lighting design creates a serial, industrial, flexible linear basic structure in the area of the ceiling with a classic lighting strip system, which allows for intake of a wide variety of lighting components as well as electrical components. The minimization of the stylistic devices of lighting technology puts emphasis on the space and forms the stage for the manifold use of the newly created Bauhaus space. The general light works with the democratic-diffused light. The exhibition design in the collection area works in the staged light-directed light.
The ground floor with the temporary exhibition aims at opening up technically and spatially. The staging of art gives the viewer space to classify the object in a local context. The visual relationship with the city and the park is integrated into the presentation. The Bauhaus is not just building and art history but is calibrated in the now.