LAKHTA CENTRE

LAKHTA CENTRE

LAHKTA CENTRE

St. Petersburg, Russia

Artificial Lighting

Architect: RMJM
Completion year: 2018
Images: Lakhta Center, press service

The complex’s architectural concept is based on water images: waves, icicles, chopped icebergs, all this is a reminder of the shores of the Baltic. Inspired by the water crystallization process and how ice celebrates light by creating playful effects within its structure, our lighting concept corresponds to the extensive use of glass material throughout the architecture of the Lakhta Center. A holistic lighting approach has been applied by mapping the overall concept and then reducing it to individual elements. Thus, tower, multifunctional complex, entrance arch, podium and landscape area will all narrate one complete story. The volume of the tower is defined by different light intensity tones via combining two main lighting components: frame lighting of interior and edge continuous linear lighting of exterior.

The lighting concept enables the development of different lighting scenes, like every-day scene, mode for evening winter time, special event mode or festival scene, night time scene and others. A special part of the tower lighting was developing detailed concept of aircraft obstruction lights and “bird friendly” lighting and their integration into overall concept.

The complex’s architectural concept is based on water images: waves, icicles, chopped icebergs, all this is a reminder of the shores of the Baltic. Inspired by the water crystallization process and how ice celebrates light by creating playful effects within its structure, our lighting concept corresponds to the extensive use of glass material throughout the architecture of the Lakhta Center. A holistic lighting approach has been applied by mapping the overall concept and then reducing it to individual elements. Thus, tower, multifunctional complex, entrance arch, podium and landscape area will all narrate one complete story. The volume of the tower is defined by different light intensity tones via combining two main lighting components: frame lighting of interior and edge continuous linear lighting of exterior.

The lighting concept enables the development of different lighting scenes, like every-day scene, mode for evening winter time, special event mode or festival scene, night time scene and others. A special part of the tower lighting was developing detailed concept of aircraft obstruction lights and “bird friendly” lighting and their integration into overall concept.

BAUHAUS MUSEUM DESSAU

BAUHAUS MUSEUM DESSAU

BAUHAUS MUSEUM DESSAU

Dessau, Germany
Artificial Lighting

Client: Stiftung Bauhaus Dessau

Architect: addenda architects
Completion year: 2019

Images: Zumtobel, Faruk Pinjo


The lighting design creates a serial, industrial, flexible linear basic structure in the area of the ceiling with a classic lighting strip system, which allows for intake of a wide variety of lighting components as well as electrical components. The minimization of the stylistic devices of lighting technology puts emphasis on the space and forms the stage for the manifold use of the newly created Bauhaus space. The general light works with the democratic-diffused light. The exhibition design in the collection area works in the staged light-directed light.

The ground floor with the temporary exhibition aims at opening up technically and spatially. The staging of art gives the viewer space to classify the object in a local context. The visual relationship with the city and the park is integrated into the presentation. The Bauhaus is not just building and art history but is calibrated in the now.

The lighting design creates a serial, industrial, flexible linear basic structure in the area of the ceiling with a classic lighting strip system, which allows for intake of a wide variety of lighting components as well as electrical components. The minimization of the stylistic devices of lighting technology puts emphasis on the space and forms the stage for the manifold use of the newly created Bauhaus space. The general light works with the democratic-diffused light. The exhibition design in the collection area works in the staged light-directed light.

The ground floor with the temporary exhibition aims at opening up technically and spatially. The staging of art gives the viewer space to classify the object in a local context. The visual relationship with the city and the park is integrated into the presentation. The Bauhaus is not just building and art history but is calibrated in the now.

WUYUANHE STADIUM

WUYUANHE STADIUM

WUYUANHE STADIUM

Haikou, China

Exterior Lighting

Architect: gmp Architekten
Completion year: 2018
Photos: Schran Images

The new Wuyuanhe Stadium is situated at the southern island of Hainan, China. The building provides seats for more than 41,000 visitors and was developed on an extremely fast project schedule with a construction time of 15 month only. The iconic building was designed to blend into the surrounding architectural, cultural and costal landscape of Hainan. The architectural lighting provides a key role of the building’s success, enhancing visually the flowy and dynamic as well as the solid structures. Light contributes to subconscious wayfinding tasks for spectators and allows communication with the city via a low-resolution media component.

The new Wuyuanhe Stadium is situated at the southern island of Hainan, China. The building provides seats for more than 41,000 visitors and was developed on an extremely fast project schedule with a construction time of 15 month only. The iconic building was designed to blend into the surrounding architectural, cultural and costal landscape of Hainan. The architectural lighting provides a key role of the building’s success, enhancing visually the flowy and dynamic as well as the solid structures. Light contributes to subconscious wayfinding tasks for spectators and allows communication with the city via a low-resolution media component.

ZOOM BERLIN

ZOOM BERLIN

ZOOM BERLIN

Berlin, Germany

Exterior Lighting

Architect: Hascher Jehle Architektur
Client: Hines
Completion year: 2018
Images: Frieder Blickler for WE-EF
Lichtvision

Underlining selected architectural elements of base, body and crown is the fundamental premise of the exterior lighting design. At the base of the building, long, organic lines running in the underside of the projecting 2nd floor are turned into a distinctive feature light element. In fact, these lines and their profiles have become a local visual reference and also part of the logo of this project. The façade of the 2nd floor consists of a series of windows. As a subtle element, only the windowsills are accentuated.

The one-story precast concrete façade elements of the upper floors are emphasized by mini uplights. These follow the rhythm of the architectural design and underline the dynamic nature of all 3 facades. Lastly, the crown is softly illuminated from below.

Underlining selected architectural elements of base, body and crown is the fundamental premise of the exterior lighting design. At the base of the building, long, organic lines running in the underside of the projecting 2nd floor are turned into a distinctive feature light element. In fact, these lines and their profiles have become a local visual reference and also part of the logo of this project. The façade of the 2nd floor consists of a series of windows. As a subtle element, only the windowsills are accentuated.

The one-story precast concrete façade elements of the upper floors are emphasized by mini uplights. These follow the rhythm of the architectural design and underline the dynamic nature of all 3 facades. Lastly, the crown is softly illuminated from below.

SUZHOU OLYMPIC SPORTS CENTRE

SUZHOU OLYMPIC SPORTS CENTRE

SUZHOU OLYMPIC SPORTS CENTRE

Suzhou, China
Façade, Public Circulation & Landscape Lighting

Architect: gmp Architekten
Completion year: 2018
Photos: Christian Gahl, Jianghe Zeng, UAP

The new Olympic Sports Centre in Suzhou comprises three stadiums and a commercial tower on a 421,040 m² plot size. The landmark-like buildings are connected by a rich landscape. Light is a key element to the success of the iconic appearance of the complex.
The architecture is carefully lit, allowing the stadiums to visually standout on top of the terraced landscape podiums. Light engages with the architectural design of the unifying roof shapes and smooth lamella facades. It underlines the dynamic of the stadiums while the connecting landscape forms the visually dimmed and more varying foundation of the composition.
The new Olympic Sports Centre in Suzhou comprises three stadiums and a commercial tower on a 421,040 m² plot size. The landmark-like buildings are connected by a rich landscape. Light is a key element to the success of the iconic appearance of the complex.
The architecture is carefully lit, allowing the stadiums to visually standout on top of the terraced landscape podiums. Light engages with the architectural design of the unifying roof shapes and smooth lamella facades. It underlines the dynamic of the stadiums while the connecting landscape forms the visually dimmed and more varying foundation of the composition.